Can I just say, it’s been a manic few weeks. I had 11 days away (which included 6 concerts with two orchestras of 3 different programs), a couple of days at home to rehearse and perform with Josh Ritter; meanwhile there comes a call from the NSO about their American Playlist concert (which I was slated to conduct in a few days) – John Mayer wants an orchestral chart for a Bob Dylan song, could I crank one out? In 48 hours?? – which I did, and after a quick 3 days in DC I was back home to rehearse and perform a premier of a jazz/orchestral with Evan Christopher and the Minnesota Orchestra last Friday and now…I’m in Maine for a week at a music festival to work with my favorite duo, Jaime Laredo and Sharon Robinson.
Yup, July tends to be a oddly jam-packed and tiring month. As I catch my breath here in my room in Waterville, ME, listening to an epic thunderstorm raging outside, I’ve finally uploaded from my phone a video I took while at the New Hampshire Music Festival a couple of weeks back. The program for the evening was an interesting combo: Ives/Three Places in New England (v. 2); Copland/Appalachian Spring; Beethoven/Piano Concerto #5.
Morgan came to find me after the concert; she’d been assigned to usher the first of two evening performances, and liked it so much that she switched with a friend and came back to usher the second night as well. As she put it, “The first night I was just going to stay for the first half, like we’re supposed to, but I ended up staying for the whole concert because I wanted to hear more.” I’ll let her do her own talking:
It was a thrill to encounter a first-time concertgoer who exuded such enthusiasm and had, self-admittedly, become a classical music convert. Which was a potent reminder to me why every performance matters; there are those out there encountering orchestral repertoire for the first time in their lives, and it’s contingent upon myself and my colleagues in the orchestra to make the music come alive.